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Rebel Wilson is ‘happily’ in a relationship

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May 11, 2022 | 3:24pm

Isn’t It Romantic?

Rebel Wilson confirmed that she is dating someone after being set up by a mutual friend.

“I am now happily in a relationship,” the “Pitch Perfect” actress revealed on Wednesday’s episode of Jordana Abraham and Jared Freid’s podcast “U Up.” “I met them at a friend’s setup.”

Wilson, 42, added that she had been on the dating apps for a bit but she was ultimately introduced to her new significant other through a pal.

“I was on and off on the Raya app, but this was a friend setup,” she said. “He had known both of us for at least five years and he thought we would hit it off — and then we did!”

Wilson expressed how she believes that meeting someone through a friend can sometimes be better than going through an app because there is a vetting process.

“I think that escalates things quicker, meeting someone from a trusted source,” Wilson said. “I can trust that they are who they say they are, which is something that you don’t really know on the apps.” 

Wilson did not reveal the identity of her new flame and her rep did not immediately respond to our request for comment.

The “Senior Year” star was most recently rumored to be dating Australian tennis player Matt Reid. The duo sparked relationship rumors after being spotted enjoying lunch together in December 2021.

Rebel Wilson and Jacob Busch
Wilson previously dated Jacob Busch.
Corbis via Getty Images

They were first linked when they attended the Australian Academy of Cinema and Television Arts Awards together in Sydney earlier that month. However, they have yet to be pubilicly seen together since.

Wilson, who recently slimmed down after embarking on a year of health, also entered into a whirlwind relationship with Jacob Busch, the heir to the Anheuser-Busch fortune, in 2020. The pair were hot and heavy for six months but broke up in February 2021.

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Empire State Building To Hold Lighting Ceremony In Honor Of Notorious B.I.G.’s 50th Birthday

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This Friday evening at 4 p.m., the Empire State Building (ESB) will host a lighting ceremony to honor the 50th birthday of the Notorious B.I.G. (Biggie), in partnership with Bad Boy / Atlantic / Rhino Records and the Christopher Wallace Estate. 

The Empire State Building Observatory Experience will feature a life-size photorealistic avatar of Biggie for guest viewing and photographs on Friday, May 20, and Saturday, May 21, from 4 p.m. to 9 p.m. Also, on Friday and Saturday, fans can purchase exclusive Biggie x ESB hats, t-shirts, and sweatshirts, sold only at the Observatory. Biggie’s 11x platinum album Life After Death will be available to purchase on cassette, along with the preorder for the 8-LP Deluxe. 

Fifteen minutes after sunset on Saturday, May 21 – what would have been Biggie’s 50th birthday – the Empire State Building will light up in dynamic red and white with a rotating crown and the number “50” in the mast.  

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Angel Olsen Perseveres ‘Through the Fires’ in New Song

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Angel Olsen has released a new song, “Through the Fires,” from her upcoming album, Big Time, which arrives on June 3 via Jagjaguwar. It’s the third single from the album following the title track and “All the Good Times.

Olsen called the heartfelt song about persevering and finding resilience a “centerpiece statement” for Big Time. “It’s a song I wrote to remind myself that this life is temporary, the past is not something to dwell on, that it’s important to keep moving, keep searching for the people that are also searching, and to notice the moments that are lighter and bigger than whatever trouble I’ve encountered,” she said in a statement.

Olsen’s “Through the Fires” contemplative lyrics convey the importance of acknowledging one’s past in order to move forward. “To remember the ghost/Who exists in the past,” she sings. “But be freed from the longing/For one moment to last.”

Along with the sone, Olsen also released a lyric video, shot by Angela Ricciardi.

Olsen previously shared that she wrote Big Time as she navigated queer love and grief: Olsen came out to her parents and, shortly after, lost both of them within weeks of each other. Co-produced by Jonathan Wilson, it follows Whole New Mess and All Mirrors.

A film titled after the album is set to premiere on June 2, presented by Amazon Music. That evening at 9:30 p.m. ET, Amazon Music channel on Twitch will feature a watch party and Q&A with Olsen and director Kimberly Stuckwisch, followed by a concert airing from the premiere party. This summer, Olsen hits the road on the Wild Hearts tour with Sharon Van Etten and Julien Baker, beginning in Vienna, Virginia, on July 21.

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Post Malone and Roddy Ricch Party at the Edge of the Abyss in ‘Cooped Up’ Video

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Post Malone and Roddy Ricch link up in the new music video for their recent single together, “Cooped Up.” 

Directed by Andre Bato, the clip opens with Post Malone performing the song as he strolls around an apartment space that boasts an extremely chic vibe, but looks like its sitting in the midst of a giant abyss. There are some quick flashes of figures that appear to be lying in wait in the distance, though Roddy Ricch is the first to arrive on the scene. Rather than some unexpected horror from the dark depths appearing next though, the video ends with a horde of red-clad partiers entering the apartment for a final blowout. 

“Cooped Up” was released last week, marking the first offering since Post Malone officially announced his new album, Twelve Carat Toothache, set to arrive June 3. The only other album cut Posty has released so far is the Weeknd-featuring single, “One Right Now,” which arrived last year. But over the weekend, Post Malone used his Saturday Night Live debut to perform another new song, “Love/Hate Letter to Alcohol,” which features the indie group Fleet Foxes.

Twelve Carat Toothache will be Post Malone’s fourth studio album and first in three years, following 2019’s Hollywood’s Bleeding. In an interview with Billboard earlier this year, the musician said the record would “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.”

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