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Kim Kardashian & Selena Gomez’s Go-To Spray Tan Artist Shares Tips To Have A Golden Glow All Year Long




Isabel Alysa TanningKesler Tran

We interviewed Isabel Alysa because we think you’ll like her picks at these prices. The products shown are from Isabel’s own line. E! has affiliate relationships, so we may get a commission if you purchase something through our links. Items are sold by the retailer, not E!. Prices are accurate as of publish time.

If you’ve ever wondered how Kim Kardashian has a glowing tan all year long, she turns to Isabel Alysa, Hollywood’s go-to spray tan artist to maintain her constant glow. Khloé Kardashian, Megan FoxKylie JennerSelena Gomez, Jennifer LopezMiley CyrusChrissy Teigen, Becky G, Katy Perry, and Dorit Kemsley are among the many celebs who Isabel works with.

Los Angeles tanning enthusiasts are already familiar with Isabel’s tanning studio, Dolce Glow. And for those of us who do not live in the LA area, we can get that signature glow from the comfort of our own homes through the Dolce Glow By Isabel Alysa tanning products.

She has channeled her years of expertise to create tanning mousse, gradual tanning lotion, applicator mitts, and more innovative products to help you get your ideal tan and minimize those classic tanning mistakes. Isabel recently chatted with E! News to share her tips for pre-tan preparation, post-tan care, tan application, and more insights to ensure that you will always have a streak-free, natural-looking bronze.

E!: In addition to spray tanning your clients in person, you also sell at-home tanning products. What changes in tanning trends have you noticed in those two facets of your business?

IA: I’ve definitely seen an increase in direct-to-consumer sales. So many more people are doing self-tanning at home. Personally, for Dolce Glow, last year was one of the best for my business. It was interesting because while a lot of companies and businesses really struggled, we definitely saw a huge increase in our sales. People want to look and feel good, even if they are just staying at home. 

And, then with the spray tanning side of things, especially for celebrities, I feel super blessed to be in the glam squad because the entertainment industry is still going, with safety precautions in place. You’re getting COVID tested before you go in. You have to show a negative PCR test and proof of vaccination. I definitely feel super blessed to work. I’m still being requested so much because a lot of the people I work with are still filming and doing other projects.

E!: You have a mousse, a mist, and a lotion? Experienced self-tanners have developed their own preferences, but for people who are unsure what makes sense for them personally, what are some insights they should know for picking the best product for them?

IA: I feel like if you’re new to self-tanning, you definitely want to start with something that’s formulated like something you are used to using already in your routine. If you are used to apply a spray on a regular basis, like a facial mist, using a self-tanning spray might be smarter and easier for you. We’re all used to applying lotion, right? Using a self-tanning lotion would be a great start to using tanner.

For someone that’s new to self-tanning, who may be scared to try something new, my go-to wouldn’t be a mousse. It would actually be a gradual tanning lotion because you just apply a lotion. You can use it with your hands as long as you wash your hands right after. Or you can apply it and just even circular motion, just how you would put lotion on yourself.

I would always go with like a less is more approach, so you want to start with like a light to medium, gradual tanner. The most amazing thing with the gradual lotions is that they’re not really heavy in comparison to dark bronzers that can be intimidating to first-time tanners. As I’ve progressed and I have so many variations in our line, gradual tanner lotion is the easiest to apply for me. They don’t transfer and they are super hydrating. You can also mix them in with your favorite moisturizer that you already use.

A gradual tanning lotion is also great to pack on a trip if you want to maintain your tan or even if you want to combat the fade that comes with being the sun or swimming.

Dolce Glow By Isabel Alysa Self-Tanning Mist

This is an easy-to-use sunless tanning mist. Unlike most sprays, you don’t have to hold this upright to use it. This one has innovative, 360º coverage, which means you can hold the spray upside down to use it, which is just such a game changer. 

Spray this eight inches from the skin and blend it in circular motions or you can apply it directly onto your tanning mitt to apply in circular motions.

A Nordstrom shopper raved, “The best self tanner in the industry! I’ve tried everything and this did it. Dries instantly , perfect dark bronzed color, not orange and doesn’t smell!”

Another gushed, “This product makes me feel so flawless. I love how it gives me the right amount of coverage. It’s so easy to use and just a great product, actually the best product out there and I’ve used many. So do yourself a favor and make yourself this purchase you won’t regret it!”

Dolce Glow By Isabel Alysa Lusso Self-Tanning Mousse

This is a buildable, fast-drying, streak-free tanning mousse that gives you a radiant, deep, natural-looking tan.

A shopper said, “The fastest drying self tanning mousse I have ever used! Doesn’t have that normal strong self tanner smell either. Definitely recommend!”

Dolce Glow By Isabel Alysa D’Oro Gradual Tanning Lotion

Moisturize your skin while you tan with this lotion. It provides a glowing medium to dark tan that looks natural. Just use your mitt to apply in circular, even motions to get your glow on.

A fan of the product shared, “It’s the ingredients for me !! So I’ve been self tanning for many years & I have yet to find a product that doesn’t make my skin dry or patchy. I can honestly say I am impressed . My skin feels so hydrated & soft. I love that this company has products that lean towards clean beauty. Their tanning lotions did not disappoint . I’m very excited to try their Lusso self tanning mousse next!”

E!: For people who want to apply self-tanner instead of a gradual lotion, what are some things to keep in mind to minimize mistakes and uneven color?

IA: When you tan your hands and your feet, don’t put tanner on directly or even glob it on a tanning mitt. Instead, you want to just use what’s leftover on the mitt to get a realistic saturation of color.

At the end, you can even apply tanner with a makeup brush, just blending it out with a really nice kabuki makeup brush. Form a bear claw gesture with your hand and use that brush to get in between the webs of your fingers. Using a makeup brush to tan your hands and feet is a a really, really good method.

E!: When I would use that kabuki brush when I’m tanning?

IA: It’s good for those smaller areas, like in between your fingers. It’s great around your ankles and to blend out your tan in that small area between your hand and your palm. That’s an area that can easily get a little choppy. The brush would help smooth out that glow.

You can use a makeup brush to contour, adding a little definition on your arm. So, if you flex, wherever that muscle line is, contour that area with some tanner and the makeup brush. It’s also great for contouring the face. Just use that little bit of excess product you have left over, make a fishy face, and put it on your cheekbones, around your forehead, and you can bring it down to your neck under your chin. 

You can also create some abs, adding some definition to your pelvic area. 

Dolce Glow By Isabel Alysa Apply & Exfoliate Set

This bundle has the exfoliator mitt, tanning mitt, and a kabuki brush. Use the exfoliating mitt to prep your skin before your next tan and to remove your last tan. Use this in the shower without any soap to exfoliate that dead skin off. Use the tanning mitt to apply your tanner and keep your tan from getting on your hands. The kabuki brush is great to get those hard-to-tan areas.

E!: What are some of the biggest mistakes people make preparing to self-tan or spray tan?

IA: I think one of the biggest mistake people make is that they exfoliate right before their appointments or they’ll take a shower with lots of soaps. You should be exfoliating and preparing your skin 24 to 48 hours in advance and that also includes shaving. The number one cause for streaks in any spray tan or self-tanning application is the razor residue that was leftover from shaving right beforehand. You shouldn’t shave right before tanning.

You need to do all your skin preparation the day before because if you do not, your pores are wide open. Sometimes, if you shower and exfoliate right before your spray tanning or self-tanning appointment, the chances are the self-tan or spray tan will not achieve its dark color because your pores are wide open.

E!: Is part of that because showering changes your pH levels? 

IA: Yes because it takes several hours for your pH levels to get back to its normal range after a shower. The amino acids and your pH are softening the skin when you shower in warm water. Applying tanner or spray tanning right after a shower is really going to reduce the darkness that could be achieved compared to if you showered the night before instead.

E!: What about that first shower post-tan? What are some things to keep in mind so we don’t mess up our tans?

IA: It needs to be warm water and you should really take your time in there, especially if you are using a tanner that has a cosmetic bronzer, which is usually the brown stuff that you see come off in the shower. You aren’t taking off the tanner, you are taking off that bronzer when you shower. You really want to take your time and lather yourself with your hands (no soap) and just make sure there are no watermarks.

A lot of people say “my tan is so streaky” and that’s often because they didn’t take the time to fully wash that bronzer off in the shower. Rinse until that water trickling down is clear and free of bronzer. That’s how you know you’ve fully rinsed. 

Your tan will continue to develop for 24 hours, which is why we encourage people to not use soap for that first shower.

E!:  If you want to be tan all the time, what are some good habits to add to our beauty routine to prevent product buildup and an uneven tan application?

IA: Three days after your tan, you can start to dry brush any excess dry skin off of your skin. Dry brushing removes all that dead skin. Dry brushing in between tans really helps, especially at day five, day six, day seven, you’re ready to exfoliate.

E!: Is the Mia Shimmer Topper Lotion a good thing to use when you’re in between tanning to just keep a glow and cover a fading tan?

IA: It’s the great to use as your tan starts to fade and you’re in between showers. It’s a lotion that looks like a body makeup. It has that nice beautiful sheen and it dries instantly, so you’re not gonna transfer onto your clothes and it washes off that night. Putting that on right before you leave is really just a quick, amazing go-to that you can put all over your body.

Dolce Glow By Isabel Alysa Mia Shimmer Topper Lotion

This luxuriously hydrating shimmer lotion acts as lightwright, wash-off body makeup. It’s just what you need to get that extra glow and bring some highlight to all the right places.

A shopper praised this as the “best product for going out at night or to an event.” Another person raved, “It’s like a body lotion with a glow! Covers up varicose veins, nice bronzed color and washes off day of. Can use with a tan under or no tan. The perfect body glow. Oh and it doesn’t transfer!!!”

If you’re looking for that natural-looking glow, here are some more of our favorite tanning products.

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SOURCE SPORTS: Remembering Kobe Bryant With 8 Of His Top NBA Highlights




Remembering Kobe Bryant:

Today marks the second anniversary of untimely death of Kobe Bryant and his daughter Gigi Bryant. The legacy of Bryant continues to live on through generations of athletes, the city of Los Angeles, philanthropy, literature and beyond. To celebrate his life, we are looking back on some of his biggest moments that made him a global icon and basketball hall of famer.

February 8, 1997: Bryant wins the 1997 Nestle Crunch Slam Dunk contest as a rookie during All Star Weekend in Cleveland.

June 14, 2000: Bryant scores 28 points against the Indiana Pacers in game 4 of the 2000 NBA Finals. Bryant would go on to win his first NBA championship in 6 games.

December 19, 2005: Bryant scores 62 points in just 33 minutes at Staple Center against Dallas Mavericks.

January 22, 2006 : Bryant roasted the Toronto Raptors for 81 points at the Staples Center.

March 16, 2007: Bryant finishes up another stellar performance with 65 points against the Portland Trail Blazers at Staples Center.

February 2, 2009: Bryant touches the New York Knicks, scoring 61 points at Madison Square Garden.

June 17, 2010: Bryant closes out the rival Boston Celtics in seven games to win his 5th NBA title with the Lakers.

April 16, 2016: Bryant scores 60 points in his grand finale NBA game at Staples Center against the Utah Jazz.

Share your thoughts remembering Kobe Bryant on social media with us.

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‘Bel-Air’: The New Will Smith Flees Trouble in West Philly in Teaser for Upcoming Reboot




Peacock has shared a new teaser from Bel-Air, the Fresh Prince of Bel Air reboot, which arrives on the streaming service on Super Bowl Sunday.

The 45-second preview focuses on the confrontation at a West Philadelphia pickup basketball game that leads to the character Will Smith’s sojourn to Bel Air. While that incident is simply described in the opening credits from the original sitcom — where the main aggressor picks up the Will Smith and spins him around — the fight is much more harrowing in the dramatic reboot, with punches thrown, guns drawn, and police called.

The first three of 10 hourlong episodes of Bel-Air will stream Feb. 13 on Peacock, with new episodes to follow weekly.

The series was inspired by the 2019 fake trailer — created by cinematographer Morgan Cooper, who now serves as director and co-writer on Bel Air — that turned the Nineties sitcom into a “dramatic retelling.”

“With this dramatic reimagining, we wanted to create a show that stands on its own while honoring the spirit and innovation of the original series,” Cooper previously said in a statement. “Because Bel-Air is a drama, we’re able to really peel back the layers of these characters and themes in a way that you simply couldn’t do 30 years ago in the half-hour sitcom format. We’re able to go have tough conversations that challenge perspectives. At its core, Bel-Air is a celebration of the Black experience through the perspective of a family,” Cooper said in a statement. “My approach to the series started with a deep focus on tone and really being intentional with my creative choices… Everything can be inspiration, and having a two-season order gives us the opportunity to go infinitely deeper narratively, visually, and aesthetically. I think that with Bel-Air we have created something unique and honest.”

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The NFT Art World Wouldn’t Be the Same Without This Woman’s ‘Wide-Awake Hallucinations’




Her creativity helped fuel a technological revolution she knew almost nothing about. Although the Bored Ape Yacht Club — now, arguably, the world’s biggest NFT project — first appeared online in May and quickly started selling for millions, the woman who drew its primary characters had no idea that the collection was a hit until she Googled the name months later.

These cartoonish primates have since generated more than a billion dollars and lassoed mainstreamers into the crypto scene. Yet Seneca — the 27-year-old Asian-American artist who played an integral role in bringing their ideas to life — gets little credit.

Watching NFT enthusiasts graffiti every corner of the Internet with variations of her work has been bittersweet. Imagine casually walking into a museum only to stumble upon your own art hanging on the wall behind velvet ropes; when Seneca logged onto Twitter and saw that Steph Curry was using an avatar she birthed as his profile picture, her eyes bulged. “It really took me some time to wrap my head around all this,” she tells Rolling Stone over Zoom. She’s sitting cross-legged on the floor of her living room in her Manhattan apartment, in front of a small gray couch — under which she somewhat haphazardly stores a stack of pastel paintings. “I still am. It’s still quite surreal.”

Behind the couch is her tiny, usually cluttered workspace, which Seneca calls her studio. Born in the U.S. to Chinese parents and raised in Shanghai, Seneca came back stateside to attend the Rhode Island School of Design. After graduating in 2016, and then relocating to New York as a freelance illustrator, this nook became her office. Head down, she concentrated on designing vibrant, at-times fantastical characters à la 2D animation for marketing campaigns and advertisements. (While her paintings were and are more abstract, she was compelled to find a “realistic” way of monetizing her passion.)

When a creative agent named Nicole Muniz spotted her college portfolio — and fell in love with her technique, “down to the lines and brushstrokes,” according to Muniz  — she started connecting Seneca with companies across various industries like healthcare, insurance, green energy, and finance. Last year, Muniz, who’s also known by her pseudonym V Strange, called Seneca with a somewhat left-of-center proposal: Her childhood friend was starting something called the Bored Ape Yacht Club, she had jumped aboard as an advisor, and he needed graphic designers to whip up some images before the still-growing trend of NFTs really took off.

Muniz immediately thought of Seneca’s chameleonic abilities. “She is one of the few artists who can actually draw differently depending on the subject matter and the project,” Muniz — who recently became co-CEO of Yuga Labs, the Web3 company behind Bored Ape Yacht Club — tells Rolling Stone. “That’s very, very, very rare.” Yuga Labs co-founder Gargamel says he was struck by the “expressiveness” of her characters. “There’s a whole mood that gets conveyed,” he tells Rolling Stone via email. “For the apes, we arrived at exactly the mood we were after: existential boredom.” Muniz agrees: “She’s particularly skilled at expression and bringing characters to life.”

Though Seneca wasn’t familiar with NFTs at the time, Yuga Labs gave her a lot of room to play in the collaboration. “They said, ‘We want punk apes. What do you think that would look like? What kind of style would you like? What do you think will look good?’” She imagined herself as an ape’s neighbor in a grungy city where the primates roam free as citizens. She saw “an ape that’s kind of jaded and tired of life but has all the money and time in the world, and hangs out at a metal bar” and ran through fictitious interactions with the creature. “That’s where that idea came from.”

Creating the apes’ aesthetic poured out of her naturally: A self-declared metalhead, Seneca plays a Gibson SG — which Muniz says she “slays” — and listens to bands like Megadeth, Behemoth, and Bullet for My Valentine. But she’s also a lover of Nineties gross-out animation, from which she drew inspiration. “I just love the grit of it all,” she says.

To be clear, Seneca was not the project’s sole illustrator. “I am the lead artist behind the original collection,” she says. The ape body itself, she adds, is “exactly line-for-line” her drawing. Other production artists — “Thomas Dagley, Migwashere, and a couple who chose to remain anonymous,” according to Gargamel — handled the traits and environment. However, she points out, she did develop some of the major traits, like the grinning mouth, the popping eyes, and the beanie.

“Not of ton of people know that I did these drawings, which is terrible for an artist,” she says. Word of mouth has been growing, though, and she hopes that will help her find more collaborations. In the meantime, she’s focusing on her solo work.

In December, Seneca dropped her debut series of NFTs under her own name as part of a collection called Iconoclast at Miami’s Art Basel. The four pieces she contributed were minted on Ethereum and hosted on what’s called the Internet Computer blockchain. (Hosting the NFTs on the Internet Computer should ensure that the NFT artwork lives forever on a public blockchain without threat of a takedown or cloud-outage issues.)

The pieces ended up generating 23.7 ETH, which equates to about $84,000 at press time. She says it’s enough to pay the bills and then some, giving her the luxury of unadulterated time to craft her next series, which she hopes to unveil in February. Plus, she gets to unleash a mesmerizing personal style that’s been many years in the making and still evolving. “Her art is very evocative of a woman in progress,” says Ken Wong, an illustrator who art directed Seneca’s favorite video game, Alice: Madness Returns. (Wong met while he was working in Shanghai. Seneca approached him after he gave a speech about his profession at her high school; she says “he really introduced the world of illustration to [her].”) “If you were to label Seneca’s work, you could [call it] pop surrealism, but that might be a bit reductive… She’s exploring. She’s finding her voice amongst pre-existing voices. She’s evolving by trying on different art styles, and I can really relate to that.”

seneca art

Seneca’s piece “Delirium” showed at Art Basel in 2021.

Courtesy of Seneca

Despite technical shifts in her approach, her images often encapsulate a soft childlike wonder that contrasts a harsh, existential darkness. “It’s a combination of being very personal and very pop at the same time,” says Wong. “The shapes that she uses — these organic, flowing shapes are very dreamlike with surreal color schemes — I think they speak to how she views things deep inside her head. But, at the same time, it’s through a lens of pop culture. It’s almost like she’s trying to rationalize herself in the context of the world.”

That sentiment comes across quite literally in a piece called “Delirium” from the 2021 Art Basel collection, in which flora, fauna, and limbs bust out of the gaping eye sockets of a girl’s unnaturally oblong head. “That’s me being like, ‘You know, everything’s kind of fucking crazy, and that’s okay,” Seneca says. “That’s how your mind works.”

Another piece, titled “Can I Be M0ther,” shows the same girl. This time, though, her bug-like eyes appear pastel and prismatic as they shed thick, gloppy tears. It’s unclear whether veins, wires, or threads are slithering out of them. The strands fall, wrapping around her outstretched hands, which are cradling what appears to be a malfunctioning toy ape. “As a commercial artist, I saw myself as a kind of surrogate,” she explains. “Since art is such an emotionally charged extension of you, it’s deeply personal and, to a certain extent, you have to distance yourself from that work in order to give it away. That piece is very much me saying, ‘Can I reclaim my work? Can I reclaim my identity as an artist?’”

Part of that identity, Seneca says, is guided by the lucid nightmares that have plagued her from as far back as she can remember. Her earliest memory is a nightmare she had at three years old. “I was in a stroller,” she recalls. “I had this feeling of being small and vulnerable.” She doesn’t go into greater detail, but realizes those themes have consistently trickled their way through her work, which she says is inspired by cosmic horror — a genre wherein the crushing weight of being a small speck within the vast unknown is the most terrifying villain.

“I was more interested in being in my imagination than reality,” she says of her early years, noting that she kept to herself most of the time, was mute for the majority of her childhood, and sometimes experienced “wide-awake hallucinations.”

She remembers going through all her deepest fears before bedtime, thinking that if she addressed them head on, they wouldn’t pop up in her nightmares — but oftentimes that backfired, keeping her awake instead. “I didn’t want to sleep because I was terrified of this world I would jump into,” she says.


Maria Wurtz for Rolling Stone

Only recently has Seneca come to accept “that madness part of it” — turning the “surrealism and non-sensical dark art” inside her into something beautiful, which she finds therapeutic. “It’s why I do what I do,” she says before admitting this isn’t something she shares with a lot of people for the fear of being considered “insane.”

Lucky for her, insanity, or some version of it, is welcome in Web3: Crypto couldn’t exist without an urge to deviate from the norm. She hopes the sector thrives for years to come. Her experience with the Bored Ape Yacht Club “taught [her] a lot of life lessons,” and she urges aspiring creators to make sure they understand NFTs and smart contracts, ask for royalties, and know the potential. “Be strong in your convictions and work extremely hard,” she says. “And be patient with yourself. Be kind to yourself. Things move very, very fast on crypto-Twitter and in this space. As long as you keep an eye on it, but pay no mind and just focus in your lane, you’ll do fine eventually.”

Of course, “fine” is relative. While she’s not able to discuss financial specifics, her compensation, she says, “was definitely not ideal.” However, she insists, she’s grateful for the experience and the entryway to a realm she can no longer imaging living without. She’s since fallen hard for the idea of NFTs, because they can authenticate and preserve art, provide creators with royalties, and make the art world more inclusive and less reliant on the gallery system.

She sees her second series — which she says will be digital but also involve other mediums — as an extension of the surrealist groundwork she’s laid, but bolder. She’s cagey in discussing works in progress but adds that she’s been putting emphasis on mental health and the power of strong women. The new work just might contain “a few criticisms,” too.

“I’m very optimistic about the space,” she says. “I’m using that as a driver.”

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